Tuesday, October 19, 2021

The Sparks Oeuvre: Dear John (novel)

 Nicholas Sparks' fifth novel is Dear John, published in 2006 and 4 years after his previous novel, Nights in Rodanthe. It's in stark contrast to that novel - focusing on young love, autism, duty to country after 9/11, being in the military, and moving through and past relationships. It was inevitable in my eyes that Sparks would write a story that uses 9/11 as a story device. Lots of people have done it since then, and art is nothing if not a reflection of the time it is made in.  

This Sparks story gives us John Tyree, on home for two weeks of leave in Wilmington, N.C. (classic Sparks setting) where he meets college student Savannah Lynn Curtis. She's also there for a few weeks building a home for a family, Habitat for Humanity-style. They meet when he retrieves her bag when it falls off the pier and into the ocean. In true Sparks fashion, they fall and it's deep and fast in two weeks. John has to leave back to Germany due to his commitments to the Army, and they agree to write to one another while he's gone. Their life and plans for the future are interrupted by the terrorist attacks of 9/11, and after he reenlists much to Savannah's dismay he eventually receives a "Dear John" letter. 

The story is told from John's point of view, and it, surprise surprise, starts in the present and then has John tell us the story. This is entirely unnecessary; it doesn't add any suspense to the story and it's only used at the beginning and the end. Several of his other novels had the narrator checking in during the present but that doesn't happen here. For whatever reason, Sparks likes his readers going into his stories questioning if the characters are still together. 

Because of this choice, Savannah isn't really a full character. She's kind of like Jamie in A Walk to Remember. She's there to help the main character on his journey. That's not a bad thing outright, but I kind of like his stories more when they focus on both the male and female protagonists. Sparks writes her as deferential. Whenever her and John get into an argument, she always says "You were right." even though, in my opinion, that is incorrect! 

For his part, John has what I would say are some issues with anger. Savannah shares an honest thought about John's dad with him, and while possibly a bit out of line it wasn't hurtful or mean. John yells at her, then gets in a fist fight with the dudes Savannah is working on the house with. When Savannah shares that she was sexually assaulted her first year of college, John's reaction is not to comfort Savannah but instead say that he'll beat the guy up (and Savannah sincerely is like "thank you so much that means a lot" like whaaaaaat?). When they get into another argument based on competing expectations of their time together when he's on leave again, he's rude and again yells at her. And she again is like "You were right, I'm sorry."

Also, John and Savannah's guy friend, Tim, talk a lot about Savannah in a way that seems....not inappropriate but slightly uncalled for. Tim provides a lot of feedback and acts as a sounding board for John, when really he should have been talking to Savannah. The gender dynamics are a bit weird, to say the least. 

Sparks gives Savannah and John a real predicament in their relationship - how to keep it strong and together when one half of the relationship is across the world? He does highlight the strain it puts on the relationship during the small interludes they get when John is on leave. However, he squanders most of it by having Savannah send the "Dear John" letter because basically the two can't communicate. It feels like a Katie/Greg from The Bachelorette situation and it's overall just frustrating. 

What's interesting about Dear John is that Sparks has a secondary relationship that feels just as important as the romantic one - the one between John and his dad. It really is quite beautiful to see John accept his dad for who is, and then to take care of his dad as his health deteriorates. In some ways it's better than the relationship between John and Savannah. 

The book is good, not great.

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